Rose of the Compass
Rose of the Compass released its first album in 2011. For the past several years the ensemble has collaborated with Kent Tritle and the choir of the Cathedral of St. John the Divine, presenting programs such as "Traditional and Sacred Music of Armenia," "The Ornament of the World: Music of multicultural Spain," and "The Wingèd Lion: Venice and the Orient". The ensemble, together with Kent Tritle and the choir will record their program "The Four Quarters of Jerusalem" in June of 2015.
“The members of the Rose of the Compass displayed impeccable early- and world-music credentials. The percussionist Glen Velez is the undisputed master on frame drums; Ara Dinkjian is one of this country’s premier oud players. Tamer Pinarbasi is a Turkish virtuoso on the kanun, a Middle Eastern zither with roots reaching back to ancient times. Nina Stern, who played recorders and chalumeau, a precursor of the clarinet, has made her home at the intersection of early and Middle Eastern music.
In the folk-song-like Armenian chant “Kovia Yeroosaghem” and in “Meh Khosk Unim Iltimazov,” based on a text by the 18th-century poet Sayat Nova, the very different timbres of the two plucked instruments played tricks on the ear, with the dry, glassy kanun heightening the lyricism of the oud to the point where it appeared to sing.
For a dazzling solo on the riq, a Middle Eastern frame drum, Mr. Velez used palm, knuckles, fingertips and delicate wrist movements to create a dizzying contrapuntal texture. In the Sephardic “Porke Yorach,” Ms. Stern brought a sensual languor to the chalumeau’s lines, which rose and settled in heaving sighs while the kanun tiptoed around it.”
(New York Times, May 6, 2013 - By CORINNA da FONSECA-WOLLHEIM)